It constructs the history of Western art history from three dimensions of the form analysis, iconology and situational analysis.Chapter I is an introduction.

本文共由五章构成，试图从析、图像学和情境析三个维度对西艺术史学史进行建构。

It constructs the history of Western art history from three dimensions of the form analysis, iconology and situational analysis.Chapter I is an introduction.

本文共由五章构成，试式析、像学和情境析三个维度对西艺术史学史进行建构。

It constructs the history of Western art history from three dimensions of the form analysis, iconology and situational analysis.Chapter I is an introduction.

本文共由五章构成，试图析、图像学和情境析三个维度对西艺术史学史进行建构。

It constructs the history of Western art history from three dimensions of the form analysis, iconology and situational analysis.Chapter I is an introduction.

本文共由五章构成，试式析、像学和情境析三个维度对西艺术史学史进行建构。

It constructs the history of Western art history from three dimensions of the form analysis, iconology and situational analysis.Chapter I is an introduction.

本文共由五章构成，试图从形式分析、图情境分析三个维度对西艺术史史进行建构。

It constructs the history of Western art history from three dimensions of the form analysis, iconology and situational analysis.Chapter I is an introduction.

本文共五章构成，形式分析、像学和情境分析三个维度对西艺术史学史进行建构。

It constructs the history of Western art history from three dimensions of the form analysis, iconology and situational analysis.Chapter I is an introduction.

本文共由五章构成，试图从形式析、图像学和析三个维度对西艺术史学史进行建构。

It constructs the history of Western art history from three dimensions of the form analysis, iconology and situational analysis.Chapter I is an introduction.

由五章构成，试图从形式分析、图像学和情境分析三个维度对西艺术史学史进行建构。

It constructs the history of Western art history from three dimensions of the form analysis, iconology and situational analysis.Chapter I is an introduction.

本文共由五章构成，试图从形式分析、图像学和情境分析三个维度对西艺术史学史进行建构。